106 - 571 FINE and APPLIED ARTS, ART REFERENCE
= SIGNED by the author on title-p.
WITH: Hughes, N. The Paintings of the Bay of Natal. A Selection of Works dating from 1845 to 1982. Ibid., idem, 2001, 196p., col. ills., printed in 1000 numb. copies, orig. cl. w. dustwr., t.e.g., obl. 4to.
= With AUTOGRAPH SIGNED DEDICATION on title-p.
= Cramer 34.
AND 3 other issues on the same: no. 29/30, 139/140 and 151/152 (ibid., 1950-1965, 3 vols., col. ills., orig. not unif. wr., folio).
= Cramer 83.
Derrière le Miroir, no. 203. Ibid., idem, 1973, 22,(2)p., 3 double-p. col. lithographs (incl. wr.) by J. MIRÓ, folio (fine).
= Cramer 167.
AND 2 other issues on the same: no.14/15 and 169 (ibid., 1948/ 1967, col. ills., orig. wr., folio).
= Cramer 167.
AND 3 other issues on the same: no.14/15, 29/30 and 169 (Paris, 1948/ 1950/ 1967, 3 vols., 1 double-p. col. lithograph, (col.) ills., orig. (not unif.) col. wr. by J. MIRÓ, folio).
- Htitle sl. foxed. Wrappers sl. foxed and faded along upper margin and backstrip; foot of spine nibbled by silverfish.
= Cramer 168.
- Frontwr. chipped in upper margin; spine-ends of dustwr. sl. chipped and yellowed/ browned.
- Covers loose; dam. along margins; backcover chipped; frontcover w. sharp creases.
= Bauhausbücher 8, ed. W. Gropius and L. Moholy-Nagy. Lang 84; Parr/ Badger p.92: "The book, published in 1925, was immediately successful and highly influential (...). In this theoretical treatise in text and pictures Moholy-Nagy condemns the subjectivity of pictorialism (...), and sets out the framework of what he calls the 'New Vision', featuring his own work and that of others". SEE ILLUSTRATION PLATE IX.
- Fine.
- Closed tear in backwr. of vol.1.
= Aetas Aurea XXII. Catalogue raisonné of the paintings and drawings.
= The standard monograph.
- Dustwr. worn. = The standard monograph.
- Occas. sl. foxed.
Illustrierter Katalog der IX. internationalen Kunstausstellung im Kgl. Glaspalast zu München 1909. Ibid., Verlag des Zentralkomitees der X. Internationalen Kunstausstellung, 1909, "provisorische Ausgabe", XXIV,218,(8),41(advert.)p., 1 double-p. plan, frontisp. and 64 full-p. ills., orig. pict. wr. sm. 8vo.
- Foxed; 1 quire loose.
Courthion, P. Soutine. Peintre du déchirant. Lausanne, Edita S.A. and P. Courthion, 1972, 298,(1)p., num. ills., orig. gilt cl. w. (dam. and discol.) dustwr., folio. - AND 7 others, all richly illustrated, i.a. D.D. DUNCAN, Picasso und Jaqueline (Stutt., 1988, orig. gilt and blindst. cl. w. (dam.) dustwr., folio); COULEURS DES MAITRES. PICASSO (Paris, 1946, orig. cl., 4to, from the library of ARMANDO w. his owner's entry on title-p.) and K. GALLWITZ, Picasso Laureatus. Die späten Jahre 1945-1973 (Munich/ Lucern, 1985, orig. boards w. dustwr.).
- Sl. yellowed along margins.