106 - 571 FINE and APPLIED ARTS, ART REFERENCE
- Plates occas. sl. fingersoiled/ frayed/ foxed in blank margin and w. pencil sketches on verso. Portfolio worn.
= Beautiful plates in art nouveau style with designs for walls, borders etc. SEE ILLUSTRATION PLATE X.
- Sl. yellowed. Fine copy.
= Odd volume of this rare modernist Flemish periodical. Also contains contributions by F. Berckelaers, Victor J. Brunclair, Paul van Ostayen, Josef Peeters and Geert Pynenburg.
- Occas. inevitable trifle fraying; sl. yellowed and some sl. occas. dustsoiling; no.17 spine pasted over w. paper tape; no.18/19 first and last leaf loose; no.20 vague vertical fold throughout and spine splitting at foot; no. 21 spine partly splitting. A very good/ fine set.
= Good run of this modernist Flemish periodical. From no.13 on, when Jozef Peeters replaced Geert Pynenburg as editor, the wrappers have striking modernist designs by JOZEF PEETERS (no.13 and no.22/23/24), KAREL MAES, (no.14), VICTOR SEVRANKS (no.15), MOHOLY-NAGY (no.16), SONIA DELAUNAY (no.17), JOS LEONARD (no.18/19), CAREL WILLINK (no.20) and J.P. OUD (no.21). Apart from (full-p.) (wood- and linocut) illustrations by Jozef Peeters, Karel Maes, Vilmos Huszar, Paul Joostens, Jos. Leonard, Ludwig Kassak, L. Peri, A.C. Willink, L. Moholy-Nagy and Sonia Delaunay, also containing the 2 (often lacking) loosely inserted plates by Jozef Peeters (a col. lithogr. plate and a (sl. frayed) linocut printed on gold ground). Andel p.210-211; cf. Bolliger II, 112. SEE ILLUSTRATION PLATE X.
- Vol. 1 (of 2) only. Dustwr. sl. yellowed and w. some dam. spots.
- No. 3 lacks the lithograph by Hundertwasser.
= No. 6 with the fold. plate by VASARELY, No.9 with the linocuts by VAN DYKEN und LALOY.
- A few w. owner's entry.
= Special issue of the leading periodical of the thirties on functional architecture and related subjects, published 1932-1943. In 1932 Paul Schuitema, who was a member of the architect-group "De Opbouw", created a basic design for the magazine and other designers could then fill in the rest of the cover. Fanelli 231; Maan, Paul Schuitema, p.64.
- Title-p. partly browned; dog-eared. Dustwr. sl. frayed/ dam.; repaired on verso.
AND 9 others, i.a. P. FEIERABEND, Nudes Index I (Cologne, 2000, col. ills., orig. cl. w. dustwr., large 4to) and G. DE ROOS, Playboy Fotografie (Vianen, 2002, col. ills., orig. pict. boards, large 4to).
= One of the 40 SIGNED copies.
AND 2 others, i.a. G. SCIME, Women in the Magic Mirror (Milan, 1981, num. (col.) ills., orig. boards w. dustwr., obl. 4to).
- Spine dropback box sl. worn.
= One of 25 SIGNED copies with a loosely inserted original c-print by Anrakuji (21,3x28 cm., signed and num. "16/25" in pencil on verso).
= Nobuyoshi Araki is primarily known for his erotic and kinbaku (Japanese bondage) photography. SEE ILLUSTRATION PLATE XI.
- Fine.
Mapplethorpe, R. Altars. London, J. Cape, 1995, 139p., 127 (fold.) (col.) photogr. ills. ROBERT MAPPLETHORPE, orig. cl. w. dustwr., cl. slipcase, sq. folio.
- Dustwr. trifle worn at top of spine. Fine copy.
Meyer, R. and Guzman, G. de. Warhol's Jews. Ten Portraits Reconsidered. New York, The Jewish Museum a.o., 2010, 63,(1)p., (col.) ills., orig. boards, 4to. - AND 3 others, i.a. NADAR WARHOL: PARIS NEW YORK (Los Angeles, 1999, num. (full-p.) (col.) ills., orig. cl. w. dustwr., 4to. Fine).
= The first vol. has an orig. gelatin silver print by FONS BRASSER mounted on the first leaf and is titled and dated in pencil below the print: "Miekkálä Finland 1988", and has an autograph dedication to Armando on the first blank.
Idem. Alles is getal. Text A. Petersen. N.pl., Kunstcentrum Delft, 1988, (7) textp., 30 plates by F. BRASSER, printed in 100 numb. and signed copies (90), orig. cl. - AND 2 others by the same, i.a. Launch Pads (n.pl., 2011, num. col. ills., printed in 10 numb. and signed copies, orig. cl.).
= SIGNED on first free endpaper.
- Title-page foxed; upper hinge weak. Upper left corner frontwr. bumped.