- Two prints sl. yellowed/ foxed. Slipcase sl. worn.
= This suite was produced for the deluxe edition of the catalog for the exhibition of the artist at Stedelijk Museum Amsterdam, Museum Wiesbaden, Westfälisches Museum für Kunst und Kulturgeschichte, Münster and Musée d'Art Moderne de la Ville de Paris, 1991/1992. SEE ILLUSTRATION PLATE IX.
- Owner's entry of first free endpaper. Binding stained. Inside fine.
- Fore-egde margin of bookblock sl. foxed (very sl. affecting outer edge of some of the lithographs). Spine-ends and joints rubbed/ sl. worn.
= Verve. Revue artistique et littéraire, vol.IX, no.35/ 36. SEE ILLUSTRATION PLATE IX.
- Title-p. trifle foxed. A fine copy.
= One of 300 numb. DELUXE copies, bound in orig. giltlettered vellum portfolio w. bone clasps and vellum catches and with brown silk folding flaps, kept in (worn/ dam.) orig. board box.
= SIGNED by the author on title-p.
WITH: Hughes, N. The Paintings of the Bay of Natal. A Selection of Works dating from 1845 to 1982. Ibid., idem, 2001, 196p., col. ills., printed in 1000 numb. copies, orig. cl. w. dustwr., t.e.g., obl. 4to.
= With AUTOGRAPH SIGNED DEDICATION on title-p.
= Cramer 34.
AND 3 other issues on the same: no. 29/30, 139/140 and 151/152 (ibid., 1950-1965, 3 vols., col. ills., orig. not unif. wr., folio).
= Cramer 83.
Derrière le Miroir, no. 203. Ibid., idem, 1973, 22,(2)p., 3 double-p. col. lithographs (incl. wr.) by J. MIRÓ, folio (fine).
= Cramer 167.
AND 2 other issues on the same: no.14/15 and 169 (ibid., 1948/ 1967, col. ills., orig. wr., folio).
= Cramer 167.
AND 3 other issues on the same: no.14/15, 29/30 and 169 (Paris, 1948/ 1950/ 1967, 3 vols., 1 double-p. col. lithograph, (col.) ills., orig. (not unif.) col. wr. by J. MIRÓ, folio).
- Htitle sl. foxed. Wrappers sl. foxed and faded along upper margin and backstrip; foot of spine nibbled by silverfish.
= Cramer 168.
- Frontwr. chipped in upper margin; spine-ends of dustwr. sl. chipped and yellowed/ browned.
- Covers loose; dam. along margins; backcover chipped; frontcover w. sharp creases.
= Bauhausbücher 8, ed. W. Gropius and L. Moholy-Nagy. Lang 84; Parr/ Badger p.92: "The book, published in 1925, was immediately successful and highly influential (...). In this theoretical treatise in text and pictures Moholy-Nagy condemns the subjectivity of pictorialism (...), and sets out the framework of what he calls the 'New Vision', featuring his own work and that of others". SEE ILLUSTRATION PLATE IX.
- Fine.
- Closed tear in backwr. of vol.1.
= Aetas Aurea XXII. Catalogue raisonné of the paintings and drawings.
= The standard monograph.
- Dustwr. worn. = The standard monograph.