= SEE ILLUSTRATION PLATE LXXIV.
- Backed w. thin paper; professionally restored w. sm. closed holes and tears from acid biting; sl. soiled.
= With small letter annotations by the artist, perhaps colour indications. Perhaps by a Flemish artist. From the collection Ulmann, with their collector's mark on verso.
- Old closed tears in upper and lower margin.
= Curious drawing which appears to have an older underdrawing with a different subject.
- Formerly folded. Some stains and folds; paint partly worn away.
= Skillful drawing with cartouche in auricular style. SEE ILLUSTRATION PLATE LXXIV.
- Sm. dam. spot near lower right corner; a few tiny holes
= On verso a contemporary (?) annotation "Vale" in pen and brown ink and a later "G(?) van Dyers" in pencil. On laid paper with part of an unidentifed watermark. From the Ulmann collection with their collector's mark on verso.
- Two tiny closed holes; tipped onto mount.; sl. foxed.
= On thin laid paper. The Pharisee with the glasses and holding the book is a recurring figure in the Dutch and Flemish depiction of this scene. So perhaps by a Flemish artist or northern France.
- Soiled; left margin frayed, sl. within the image; two vertical folds.
= On thick laid paper (probably late 17th century), no watermark visible.
- Outer margins strengthened on verso; a few small holes due to acid bite. = On paper with anchor watermark.
- Mediocre copy. Lacks upper right corrner; closed tear affecting image; doubled and worn/ soiling.
- Fingersoiled and agetoned; sm. repairs in upper corners.
= On laid paper, no watermark visible. Probably Italian School.
- Closed tear in upper right corner.
= On laid paper with watermark showing a word (unread). With the collector's mark of Jaap Wiegersma (1898-1967) on recto (Lugt 1552b).
- Upper left corner dam.; panel formerly split in centre, repaired and strengthened on verso and repainted along the vertical crack; painted ticket on verso partly worn away.
- Sl. creased; sm. chip and hole in lower margin; lead white partly oxidized.
= On laid paper with watermark "IHS" topped by a cross and within a oval.
- Small brown (water)stain left of the chair. = From the collection of the artist Francina Schot (1816-1894).
- Sm. restorations and repairs, mostly along edges.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
= On laid paper w. a large crowned watermark with a fleur-de-lis.
AND 3 others, i.a. a drawing of a funeral medallion, after an engraving from Le Francq van Berkhey, Natuurlijke Historie van Holland, 1776 (supplied with the orig. engraving).
= Provenance: the collection A.M. van den Broek, all with his collector's mark on verso.
- Verso w. traces of former mounting in corners. = On paper with watermark "IV".