- Dustwr. trifle worn at top of spine. Fine copy.
Meyer, R. and Guzman, G. de. Warhol's Jews. Ten Portraits Reconsidered. New York, The Jewish Museum a.o., 2010, 63,(1)p., (col.) ills., orig. boards, 4to. - AND 3 others, i.a. NADAR WARHOL: PARIS NEW YORK (Los Angeles, 1999, num. (full-p.) (col.) ills., orig. cl. w. dustwr., 4to. Fine).
= The first vol. has an orig. gelatin silver print by FONS BRASSER mounted on the first leaf and is titled and dated in pencil below the print: "Miekkálä Finland 1988", and has an autograph dedication to Armando on the first blank.
Idem. Alles is getal. Text A. Petersen. N.pl., Kunstcentrum Delft, 1988, (7) textp., 30 plates by F. BRASSER, printed in 100 numb. and signed copies (90), orig. cl. - AND 2 others by the same, i.a. Launch Pads (n.pl., 2011, num. col. ills., printed in 10 numb. and signed copies, orig. cl.).
= SIGNED on first free endpaper.
- Title-page foxed; upper hinge weak. Upper left corner frontwr. bumped.
- First and last few pages sl. foxed. Top of spine sl. worn and 2 chips from (browned) title-piece; corners showing.
= Parr/ Badger I, p.114f and passim.
- Spine-ends sl. rubbed.
- Covers sl. rubbed along edges.
= Arnold Fanck was a pioneering director in the mountain film genre, who helped launch the career of, among others, Leni Riefenstahl (her portrait on p.55). Contains striking images of the filming process at high altitudes.
- Sm. rectangle cut from title; (sl.) foxed; first few lvs. bumped in lower corner. Binding soiled/ sl. stained; slipcase worn and badly (water)stainedl and partly split/ dam. on edges.
- Covers sl. soiled.
= With AUTOGRAPH DEDICATION "Voor Armando en Tony" by Cees Nooteboom on first free endpaper.
Brasser, F. Water Towers. Watertorens. Wassertürme. Rott., 010, 2005, 152p., full-p. ills., orig. cl. w. dustwr., 4to.
= With AUTOGRAPH DEDICATION "Für Armando uw Fonsenman! 4/05" on htitle.
Diepraam, W. Foto's. Photographs. Text G. van Westerloo. Amst., Fragment, 1985, 119,(2)p., full-p. ills., printed in 2000 copies, orig. cl. w. mounted photogr. plate, 4to.
- Spine sunned.
= With AUTOGRAPH SIGNED DEDICATION by the photographer "Voor Armando Dank!" on first free endpaper.
AND 7 others, i.a. A. CORBIJN, Inwards and onwards. Text F. Hodgson (Munich, 2011, ills., orig. boards w. dustwr.) and M. COPPENS, Land van stilte (Eindh., n.d., ills., printed in 500 numb. copies, orig. cl. w. dustwr., 4to. Owner's entry of ARMANDO on first free endpaper).
- Frontcover partly sunned.
- Owner's entry on upper pastedown. Wrapper trifle worn along extremities; sm. dent in backcover.
= Parr/ Badger I, p.244: "In 1955, the 17-year old Joan van der Keuken caused a stir in Dutch publishing with his book Wij zijn 17 (We are 17), prefiguring the even greater furore that would greet the publication of Ed van der Elsken's Een liefdesgeschiedenis in Saint Germain des Prés (Love on the Left Bank) a year leater. Van der Keuken's book was as innovative as Van der Elsken's in its treatment of a section of society - not a class exactly, but a societal group - that was beginning to be regarded as a class apart. (...) The Beat Generation, the Beatnik movement, James Dean - the original rebel without a cause - and a pouting, gyrating phenomenon called Elvis Presley, drew the world's attention to the fact that, since the war, a new alien species seemed to have been dropped on to the planet - the teenager. Van der Keuken's two books, Wij zijn 17 and Achter Glas (Behind Glass, 1957), caught this mood perfectly. Whilst perhaps not stream-of-consciousness in style, they certainly are in terms of attitude, capturing a moment's experience in which nothing much happens except for the moment itself (...)."