2374 - 2509 MANUSCRIPTS, AUTOGRAPHS, DOCUMENTS
- Four wax seals dam.
= Includes (copies/ extracts of) four deeds of transport (1701-1872), a bond, wills, and documents pertaining to public sales, inheritance tax assessment, estate partition and a rental agreement. Owners mentioned: master carpenter Steven (van) Pijckeren, Hendrik Jurriaensz. and Anna Huijberts van Loon, Isaac Wittenburgh, Cornelia Wittenburgh and Hendrik Groskamp, Christina Wijva Groskamp and Johannes Stephanus Kleinpenning, Naatje de Boer and Levie Samuel Saphier, Friedrich Wilhelm Tobias Hunger and Grietje Steijnvoort, Pieter Willem Schreuder and Jesaja Simon Bruske. Some w. letterpress text.
- Wax seals partly dam.
= I.a. the will of Hendrik Hinke and Geesje Dijkmans (1737), as well as several (copies/ extracts of) deeds of transport, quittances, mortgage inscriptions, rental agreements and documents pertaining to estate partition. Some names mentioned: Elias Ipsen, Pieter Joannes Nieuwenhuijse, Cornelis Kleinpenning, Johannes Stephanus Kleinpenning, Christina Wijva Groskamp, Louis Jan Jacob Serrurier, Naatje de Boer, Hendrik Johannes Freeriks, Elisabeth van Glansbeek, Gerrit Dirk van der Straten and Christina Jozijna Heinsius. Some w. letterpress text.
= Documents pertaining to the premises Herengracht 270, i.a. (copies/ extracts of) inheritance tax assessments, wills, deeds of transport, private or public sale, correspondance and quittances. Owners mentioned: Jacob Alewijn Ghijzen and Debora Blaaupot, Elisabeth Jacoba Ghijzen, Jan van Vollenhove junior, Maria Feitama, Petronella Hendrica Scheidius, Simon van der Wal, Isaac Ernst de Petersen, Willem Douwe van 't Vlie, Willemina Blom, Theodorus Sanders junior, Elisabeth Maria Weymar, Pieter Anthonij de Ligny, Constant Alexander Alexis Wübbe, Jan Hendrik Andersen Spin and de Associatie Cassa. Some w. letterpress text.
- Covers of album sl. worn.
= Contains i.a. D. VAN LUYN, (View of a mill) (etching, signed and numb. in pencil and with autograph New Year's wish for 1955 in ballpoint); J. BIERUMA OOSTING (3x), i.a. (Flower and bee) (col. woodcut, w. autograph New Year's wish for 1955 signed in pencil) and (Blue cockerell) (col. etching and aquatint, dated "1958" in the plate and signed in black crayon); J. PICHETTE (3x), i.a. (Abstract drawing) (gouache, w. autograph New Year's wish for 1955, signed in pen and ink) and (Abstract drawing) (gouache, 21x27 cm., w. autograph New Year's wish for 1956, signed in felt-tip pen); K. MAKS (2x): (Ballet dancer) (drawing, pencil, monogrammed "M.K." in lower right corner, w. New Year's wish for 1958 in pen and blue ink on verso, signed "Cécile en Kees Maks") and (Ballet dancer) (drawing, pen and dark blue ink, monogrammed "K.M." in lower left corner, w. autograph New Year's wish for 1955 on opposit leaf, signed "Cécile en Kees Maks"); E. l'HOËST, (Abstract drawing) (gouache, mounted, signed in pen below image on mount) and JANICOTTE (4 signed autograph/ letterpress wishing cards). SEE ILLUSTRATION PLATE LXIV.
= On having sent 3 drawings of scenes in Brighton to Clifford Musgrave, director of the Royal Pavilion, for possible inclusion in the collection of the Royal Pavilion. Thanking Musgrave in a subsequent letter for having chosen "Whitsunday Brighton". In the letter of July 28 1950, Bone writes that he is "working hard - very hard - at my elaborate drawings of Oxford for my wife's forthcoming book. ["Came to Oxford"]. The final letter is on arranging to meet each other for coffee in Musgrave's house and writing that he is "very glad that Brighton has got hold of the railway picture".
WITH: G. BONE, Came to Oxford (Oxford, 1952, num. (col.) plates and ills., orig. cl. w. dustwr., large 4to. Dustwr. sl. frayed; backwr. sl. duststained).
- One of the lvs. split on fold.; both lvs. w. horizontal middle-fold.
= Interesting and important letter in which Ensor complains that he has not been mentioned in Mauclair's The French Impressionists (1860-1900) (1903). Ensor writes at large about his search in modernising art, i.a. listing the exhibitions of his works, explaining the modern aspects of the work, and complaining about his isolation and the lack of interest in his work. "J'ai lu votre livre si interessant "the French impressionists" etude bien approfondie, des principaux novateurs de la lumière: peintres, dessinateurs, aquafortistes français et etrangeres où tous les chercheurs sont cités. Hélas! mon chere Mauclair, je n'ai pas trouvé mon nom parmi en novateurs. Pourquoi cet ostracisme? Parce que j'ai précédé et non suive le mouvement? (...) Isolé à Ostende sans connaître alors l'école impressioniste, j'ai devancé les recherches modernes et influencé durant plusieurs années nos peintres belges aujourd'hui très arrivés (...). Ah! si vous avez vu mes oeuvres et surtout "Le chou" peint en 1880 exposé dernierement à la Libre esthétique. Les Monet de 1880 son noirs et opaques et les Van Gogh n'existerent pas alors. (...) Les critiques parisiens n'ont pas signalé mes oeuvres. Oui, ma place n'indiqueant parmi les premiers chercheurs de lumière dans votre livre si complet. Vous ecrivez bien à propos "Ensor n'a nullement la réputation qu'il mérite", c'est ca un effet de l'ingnorance de certain critique et de l''absurde besoin de coller une etiquette au dos des artistes (...)". SEE ILLUSTRATION PLATE LXV.
= On leaf with the letterhead of the periodical Halcyon. Stols congratulates Hofstra with his new accomodation and announces the publication of Halcyon no.2, with an article by Hofstra on the work by graphic artist Pam Rueter. He asks if Hofstra can write an article on the work by Th. Mauve for Halcyon 3/4, which he would like to publish before the end of the year.
Idem. AUTOGRAPH LETTER SIGNED "Sander" to "Beste J.W. [Hofstra]", dated "18-1-41", pen and ink, 1 leaf, recto only.
= Asking Hofstra to send prints of clichés to M.J. Schretlen for the illustrations to Schretlen's article in Halcyon no.5. And congratulating Hofstra on the intended publication of his novel (prob. his debut De vrienden van mijn vrienden, The Hague, 1941).
= "Ik heb in de courant gelezen hoe een zekere heer Tegenbosch over uw werk durft schrijven; ik ken U niet maar ik weet wel wat gij maakt en dit waardeer ik. Het is onder deze omstandigheden dat ik mij gedrongen voel u mijne artistieke aanhankelijkheid te tonen (...)".
Jans, H. (1914-1999). AUTOGRAPH LETTER SIGNED "Hugh" to "Beste Oom Paul [Citroen]", dated "Den Haag 28 Dec. 1941", pen and ink, (3)p., fold. leaf, recto and verso, w. 4 sm. drawings in pen and ink.
= An illustrator and artist who was mostly known as a culinary author in later years. Nice letter in which Jans complains to his uncle on the lack of paid work and sending the promised bookplates. The drawings are illustrations of the things addressed in the letter.
AND 17 other SIGNED (short) letters by artists, i.a. WIM ZWIERS, PAUL CITROEN, ALFRED COSSMANN, CHARLES EYCK, RU VAN ROSSEM, GENE EGGEN. - AND a large cut-out front of an envelope or parcel addressed to Hans Roest, with a drawn decorative border in pen and ink and watercolour by HENDRIK WIEGERSMA. - ADDED: 8 letters by collectors, i.a. G.J. RHEBERGEN, B.J.H. DIJKHUIZEN and D. BAAS.
- Binding sl. worn/ dam.
= With loosely inserted program and invitation: "(...) tot het bijwonen der demonstratie te houden door de ingenieurs der "Marconi Wireless Telegraph Cy" te London, welke zal plaats hebben Maandag den 28sten April a.s., ten 2 ure 's namiddags, in de Villa Jacobsen naast het Kurhaus nabij het Wandelhoofd in Scheveningen (...). Door Zijne Excellentie den Minister van Marine is H. M. oorlogsbodem "Evertsen" ter beschikking gesteld en zal deze zich 50 mijlen in zee begeven, teneinde over en weer met het vasteland te kunnen telegrafeeren (...)." The album was also used for another event which took place at "Station Overtoom te Amsterdam Februari 1904", probably the official ceremony for the commissioning of the current Tramlijn 1. Autographs include those of Johannes Diderik van der Waals, Piet Zeeman, W.P. van Wickevoort Crommelin, J.B. van Heutsz, Hendrikus Colijn, Eugène Dubois and A.J.N. Engelenberg.
= With dedication (by Paola): "À madame Augusta Moens[?]".
= With dedication (by Baudouin): "Onze gelukwensen aan mevrouw Maria van Ael-Corluy[?] die haar 100ste verjaardag viert".
= With dedication (by Mathilde): "Aan Mevrouw Juliana Dierickx".
- Binding rubbed; spine-ends worn.
= Nice collection of watercolours and manuscript poems etc.
= Mainly devout texts, but ending with a nice poem on the nightwatch.
- Title and first 2 engravings loosening; bookplate (Gustave Charles Antoine Marie van Havre, Belgian politician) on upper pastedown. Vellum lacks ties.
= Finely executed prayer book, written in several (well legible) hands.
= Containing i.a. an extension of leave on behalf of ensign Fecco Dominicus van Sytzama (1714), 2 pedigree charts for the same (1720) and his wife Anna Clant (1732), a letter from J.W. van Ayta to his nephew lieutenant-coronel F.D. baron van Sytzama apologising for the transport of one of his officers' bagage trunk (1744), a bill of sale on behalf of Maurits Pico Diederik van Sytzama (1786) and a copy of the will of C.M. van Heemstra, widow of the same (1796). Other persons mentioned: Douwe Jan Andries van Sytzama, Johannes Galenus baron van Sytzama and Henri baron van Sytzama.
- One seal dam.
= Contains the will of Wilco van Holdinga, mentioning Eysingastate in Rinsumageest (1591); 2 copies of an attest concerning a request of Pieke Galenus van Sijtsma to obtain a declaration of nobility for his uncle and brothers (1711; persons giving evidence: B. and S.G.J. van Burmania, T. van Aylva, D. van Unia, G. van Kamminga, E.M. van Harinxma to Sloten, B. Hemmema, U. baron van Aylva and S. van Goslinga); the commission of Elias Wigeri as "ordinaris professor juris" at Franeker university (1759) and 3 documents pertaining to the commission of A.G. Willinghe as "Raad Ordinair in de Provinciale Raad der Hoge Justitie" (1791, 2x) and president of the "Assemblee du canton Oldebergkoop" (1812).
- All 4 w. owner's stamp.
= All concerning private loans to Onno Zwier van Haren (1711-1779), politician and close friend of William IV, w. his signature. The lenders are Menno Coehoorn van Scheltinga (2x), the churchwardens of Oldeholtpade and Wybe Perfect.
AND 3 others: a deed of commission by grietman Ernst van Haren on behalf of Elias Wigeri as secretary of the Weststellingwerf Grietenij (pen and ink on vellum, dated 1688, wax seal. Owner's stamp in blank margin) and 2 letterpress/ manuscript death notices of Onno Zwier van Haren and his wife Sara Adeleide van Huls (pen and ink on paper, dated 1779 and 1793).