95 - 588     FINE and APPLIED ARTS, ART REFERENCE

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77 195 Crane W 77 195 Crane W
77/ 195 Crane, W. Kunst en samenleving. Dutch adapt. J. Veth. Amst., Scheltema en Holkema, 1903, 2nd rev. ed., IX,(3),171p., 35 woodcut vignettes, endpapers and design of orig. richly gilt and dec. brown hleather binding by G.W. DIJSSELHOF, t.e.g.

- Corners and spine-ends rubbed.

= Fine Dutch Art Nouveau publication. Braches 360. Interesting detail: the colours used on the binding are sl. different from the first edition: the leather is brown (instead of black) and the paper over the covers is grey instead of brown.

€ (100-150) 130
77 196 Crane W 77 196 Crane W
77/ 196 Crane, W. Kunst en Samenleving. Dutch adapt. J. Veth. Amst., Scheltema en Holkema, 1903, 2nd rev. ed., XIII,(3),171p., 35 woodcut vignettes and orig. dec. wr. by G.W. DIJSSELHOF.

- Bookplate and owner's entry on title-p. Joints and corners of wrappers sl. rubbed; wrappers trifle frayed, mainly along fore-edge.

= Rare in its original wrappers. Braches 360.

Morris, W. Kunst en maatschappij. Lezingen. Dutch transl. M. Hugenholtz-Zeeven. Pref. H. Polak. Amst., A.B. Soep, 1903, 1st Dutch ed., (6),VII,(1),159,(3)p., frontisp. portrait of the author, printed in 200 copies, bookdec. and orig. gilt and blindst. blue cl. by S.H. DE ROOS.

- Small corner cut off from first free endpaper. Rubbed (cleaned?) crinkled spot on frontcover.

€ (60-80) 110
77 197 Da Vinci L  Zöllner F 77 197 Da Vinci L Zöllner F
77/ 197 [Da Vinci, L.]. Zöllner, F. Leonardo da Vinci 1452-1519. Alle schilderijen en tekeningen. Cologne, Taschen, 2003, 695p., lavishly illustrated, orig. boards w. dustwr., folio. Eissler, K. Leonardo da Vinci: Psychoanalytische Notizen zu einem Rätsel. German transl. P. Cumbers and M. Berg. Basel/ Frankfurt am Main, Stroemfeld/ Roter Stern, 1992, 487p., num. (col.) ills., orig. boards, 4to. Mariani, V. Michelangelo the Painter. New York, H.N. Abrams, 1964, 151p., 86 col. plates w. accomp. textleaves, orig. giltlettered cl. w. dustwr., folio.

- All fine.

€ (50-70)
77/198 Dada  391 No 13 Ce numéro est entouré d'une dentelle rose 77/198 Dada 391 No 13 Ce numéro est entouré d'une dentelle rose
77/ 198 [Dada]. "391". No.13. Ce numéro est entouré d'une dentelle rose. Paris, Au Sans Pareil, (1920), (4)p., ills., folio.

- Horizontal middle fold (w. sl. wear/ yellowing); outer blank margins w. some sm creases and tiny sm. tears and sl. yellowed.

= Thirteenth issue of this periodical edited by F. Picabia, which, together with Dada and Littérature, can be considered the most important periodical of the Dada movement. The magazine ran from 1917 to 1924 and 19 issues were released. This issue contains a large ill. by Picabia on the front page, ills. by Marcel Duchamp and Man Ray and contributions by Francis Picabia ("Extrait de Jésus-Christ Rastaquouère"), G. Ribemont-Dessaignes ("Manifeste selon Saint-Jean Clysopompe") and Tristan Tzara ("Monsieur Aa l'antiphilosophe nous envoie ce manifeste"). Schwarz, Almanacco Dada, p.718-719; Bolliger II, 561; III, 233 and IV, 403. "Von grösster Seltenheit" (Bolliger). SEE ILLUSTRATION PLATE V.

€ (1.000-1.500) 2100
77 199 Dada  391 No 14 77 199 Dada 391 No 14
77 199 Dada  391 No 14 77 199 Dada 391 No 14
77/ 199 [Dada]. "391". No.14. Paris, Au Sans Pareil, (1920), (8)p., ills., folio.

- Horizontal and vertical middle fold, w. wear and partly w. sm. tears at ends and intersection; partly sl. yellowed (lower half of p.(2) sl. browned); vague waterstain in blank corners.

= The fourteenth issue of this important Dada periodical, of which a total of 19 issues were published irregularly in Barcelona, New York, Zurich or Pairs over the period from 1917 to 1924. This issue contains ills. by F. Picabia, S. Charchoune, T. Tzara, J. Crotti and Man Ray and texts by F. Picabia, T. Tzara, P. Eluard, G. Ribemont-Dessaignes, H. Arp, P. Dermée, C. Arnauld and M. de la Hire. The middle-pages comprise the texts "Une nuit d'échecs gras" and "Notre Dame de la peinture" with fine typography by Tzara and Picabia. Schwarz, Almanacco Dada, p.718-719; Bolliger II, 562; III, 233 and IV, 404. "Von grösster Seltenheit" (Bolliger). SEE ILLUSTRATION PLATE VI.

€ (800-1.000) 1700
77/200 Dada  DADA I Evola A Fiozzi G Cantarelli Esposizioni 68a Mostra del movimento italiano 77/200 Dada DADA I Evola A Fiozzi G Cantarelli Esposizioni 68a Mostra del movimento italiano
77/200 Dada  DADA I Evola A Fiozzi G Cantarelli Esposizioni 68a Mostra del movimento italiano 77/200 Dada DADA I Evola A Fiozzi G Cantarelli Esposizioni 68a Mostra del movimento italiano
77/ 200 [Dada]. "DADA: I. Evola, A. Fiozzi, G. Cantarelli. Esposizioni 68a Mostra del movimento italiano". Roma, Casa d'arte Bragaglia, n.d. (1921?), 1 leaf, 13,6x20,4 cm., printed in black on recto and verso, on laid paper.

- Some very vague creases; overall fine.

= Not in Bolliger. Invitation card for the 68th exhibition of the Italian Dada movement. SEE ILLUSTRATION PLATE VI.

€ (800-1.000) 1500
77 201 Dada  Doesburg Th van and Schwitters K  77 201 Dada Doesburg Th van and Schwitters K
77/ 201 [Dada]. (Doesburg, Th. van and Schwitters, K.). "Kleine Dada Soiree". Poster printed in black only, The Hague, 1922, 30x29,7 cm.

- Folded; pinholes in corners; vague stain (offsetting?) along part of one vertical fold.

= PROOF before the lettering in red. Poster for the famous "dada-veldtocht" by Theo and Nelly van Doesburg, Kurt Schwitters and Vilmos Huszár through Holland in December 1922 and the beginning of 1923. See at large K. Schippers, Holland Dada p.54ff, i.a. citing newspaper announcements: "'De dadaïst Kurt Schurrters (Schwitters) uit Hannover (...) zal morgen, 10 Januari in den "Haagsche Kunstkring", Binnenhof 8, zijn bekende "Anna Blume" en zijn satire "Ursachen und Beginne der grossen glorreichen Revolution in Revon" voorlezen. De schilder Théo van Doesburg zal dezen avond met een korte inleiding tot het dadaisme openen.' Aan de hand van verslagen in de krant is het mogelijk het programma van die eerste avond te reconstrueren. Op het toneel staat een tafeltje met een schemerlamp en een glaasje water erop. Aan dat tafeltje zit Theo van Doesburg gekleed in een zwart pak en een zwart hemd. Hij draagt een witte gebreide das, witte zijden sokken, zwarte lakschoenen en in een oog klemt hij een monocle. (...) Van Doesburg begon zijn door De Stijl voor deze toernee uitgegeven manifest Wat is Dada? (1923) te lezen, waarbij Kurt Schwitters, die achterin de zaal zat - niemand kende hem -, zijn redevoering van tijd tot tijd met krachtig geblaf onderbrak. Schwitters zou later schrijven dat hij op teken van Van Doesburg - het drinken van een slokje water - voor de eerste keer zou blaffen en wel om het dadaïsme te demonstreren en ook omdat hij nog geen woord Nederlands kende." Hoek, Theo van Doesburg 682b-1: "Er zijn twee versies van dit affiche. De ene werd gemaakt voor de eerste avond van de tournee, op 10 januari 1923 in de Haagsche Kunstkring [our version] (...). De tweede versie werd vermoedelijk tijdens de rest van de tournee gebruikt. (...) In Van Doesburgs nalatenschap bevinden zich verschillende exemplaren van alleen de zwarte of alleen de rode drukgang (...). Behalve Kleine Dadasoirée wordt het affiche ook wel Dadasofie genoemd, naar de voordracht die Theo van Doesburg hield tijdens de Dada-soirées. De affiches fungeerden tevens als programma. Opmerkelijk is dat alle medewerkers aan het programma (Van Doesburg, Schwitters en Huszár) worden vermeld, behalve Pétro (Nelly) van Doesburg. In de literatuur wordt vaak vermeld dat Van Doesburg het affiche samen met Kurt Schwitters ontwierp. Ook wordt het affiche vaak 1920 of 1923 gedateerd. Schwitters kwam op 5 januari 1923 aan in Nederland, vijf dagen voor het begin van de tournee. Het is mogelijk dat Schwitters en Van Doesburg het affiche tussen 5 en 10 januari samen ontwierpen. Waarschijnlijker is dat Van Doesburg het affiche al in december 1922 maakte, omdat de Dada-tournee in eerste instantie op 27 december 1922 zou beginnen." Kurt Schwitters, Typographie und Werbegestaltung (cat. "Typographie kann unter Umständen Kunst sein"), p.28: "Der funktionale und strukturale Ausgangspunkt der Typographie Van Doesburgs setzte sich ziemlich stark von dem Schwitters ab, der eher an die Zufallstechnik in der Komposition der Collagen (Streu-Technik) anschloß. Es ist denn auch anzunehmen, daß in den Plakaten, die für die Dada-Tournée in Holland Anfang 1923 gemacht wurden das Schwarzgedruckte - die Textschicht - von Schwitters gestaltet wurde, während Van Doesburg verantwortlich war für das Rotgedruckte mit dem aus Großbuchstaben gesetztem Wort "DADA"." Cf. Andel 153.

€ (1.500-2.500) 3500
77 202 Dada  Excursions & Visites Dada 1ère Visite Eglise Saint Julien le Pauvre  77 202 Dada Excursions & Visites Dada 1ère Visite Eglise Saint Julien le Pauvre
77/ 202 [Dada]. Excursions & Visites Dada. 1ère Visite: Eglise Saint Julien le Pauvre (...)". N.pl., n.publ., n.d. (Paris, 1921), 1 leaf, 27,7x22 cm., printed in black and blue on recto only, on greenish paper.

- Vague horizontal middle fold; trifle yellowed and chipped in blank margins; some sm. tears in margins (mainly strengthened on verso).

= Bolliger II, 90; III, 29.1ff and V, 31.1. Prospectus for a guided tour by i.a. L. Aragon, J. Arp, A. Breton, P. Eluard, F. Picabia and T. Tzara. The text of this invitation to the first Dada field trip is attributed to Tristan Tzara. Although other visits were announced in this prospectus (i.a. "Musée du Louvre, (...) Gare Saint-Lazare, Mont du Petit Cadenas (...)") this first excursion, on April 14th 1921, remained the only one that took place, due to lack of success.

€ (300-500) 300
77/203 Dada  International exhibition of Modern Art  The Armory Show 77/203 Dada International exhibition of Modern Art The Armory Show
77/203 Dada  International exhibition of Modern Art  The Armory Show 77/203 Dada International exhibition of Modern Art The Armory Show
77/ 203 [Dada]. "International exhibition of Modern Art". (The Armory Show). New York, Association of American Painters and Sculptors, 1913, postcard, 9x14 cm., printed in black on recto and verso, w. "Portrait of Mdsle Pogany. By Brancusi" printed on recto.

= Not in Bolliger. From a set of 12 postcards for the Armory show of 1913.

€ (400-600)
77 204 Dada  Schwitters K and Steinitz K 77 204 Dada Schwitters K and Steinitz K
77 204 Dada  Schwitters K and Steinitz K 77 204 Dada Schwitters K and Steinitz K
77/ 204 [Dada]. Schwitters, K. and Steinitz, K. Merz 16/17. Die Märchen vom Paradies. Hannover, Apossverlag, 1924, 31,(1)p., 16 ills. by KÄTE STEINITZ, orig. limp boards, 4to.

- Trifle yellowed. Covers sl. yellowed and slightly foxed; backcover slight superficial imperfection from removal of 2 tickets in lower margin and vague dampstain in lower margin.

= Rattemeyer/ Helms 26b (variant w. mounted label "Merz 16/17. 1925/II" on frontcover; "Uberklebt wurden das Wort Apossverlag, das schwarze Quadrat, der weinende Hahnepeter und "Band 1""); Bolliger I, 63 ("Entzückendes Dada-Kinderbuch"); II, 70; IV, 292; V, 39; VI, 118; Schmalenbach p.180; Schwarz 91; Bilderwelt im Kinderbuch 605. Contains Schwitters' fairytales "Der Hahnepeter", "Der Paradiesvogel" and "Das Paradies auf der Wiese"; the last page has adverts for Merz. The first page w. tipped-in strip w. information for the subscribers to Merz: "Die Lieferungen Merz 14/15, die Scheuche, typographisches Märchen und Merz 16/17, die Märchen vom Paradiese[sic] sind die vier Merznummern für das Jahresabonnment 1925 auf Merz. Voraussichtlich soll ab 1. Januar 1926 Merz wieder wie bisher als Zeitschrift erscheinen (...)" (not called for by Rattemeyer/ Helms). SEE ILLUSTRATION PLATE V.

€ (1.500-2.500) 2500
77 205 Dada  Tzara T 77 205 Dada Tzara T
77/ 205 [Dada]. Tzara, T. Dada no. 7. Dadaphone. (Paris), Au Sans Pareil, 1920, (8)p. (incl. wr.), ills. i.a. by F. PICABIA, 4to.

- Mediocre copy. Vertical (worn) middle fold; lacks 1 staple; wr. brittle and dam. in upper and lower margin (w. loss of letters).

= Bolliger II, 157 ("Sehr selten"); Schwarz 32. Contains contributions by i.a. T. Tzara, F. Picabia, P. Eluard, A. Breton, G. Ribemont-Dessaignes, L. Aragon and E. Pound.

€ (300-500) 475
77 206 Dalí S  Hammacher van den Brande R and Brandt Corstius L  ed  77 206 Dalí S Hammacher van den Brande R and Brandt Corstius L ed
77 206 Dalí S  Hammacher van den Brande R and Brandt Corstius L  ed  77 206 Dalí S Hammacher van den Brande R and Brandt Corstius L ed
77/ 206 [Dalí, S.]. Hammacher-van den Brande, R. and Brandt Corstius, L. (ed.). Dali. Rott., Museum Boymans-van Beuningen, 1970, 1st ed., without pagination, num. (col.) ills., orig. wr. w. dustwr., 4to.

- Last few lvs. sm. narrow stain in lower margin. Dustwr. waterstain in upper corner.

= With large SIGNED DEDICATION "Pour Elisabeth" [= Liesbeth Brandt Corstius] by the artist on the half-title.

€ (100-150) 240
77 207 Daragnes J G  Mac Orlan P 77 207 Daragnes J G Mac Orlan P
77/ 207 [Daragnes, J.-G.]. Mac Orlan, P. Éloge de Daragnes. (Paris), Manuel Bruker, 1956, no pagination, 11 prints by J.-G. DARAGNES, various techniques, printed in 200 numb. copies (20), orig. wr., 4to.

= One of the first 20 numb. copies with an extra suite of the engravings on "Malacca" (1x numb. "2/20" in pencil). WITH 4 autograph signed letters by the author and the artist on the Eloge publication.

€ (150-250) 150
77 208 Delfgaauw L  ed  77 208 Delfgaauw L ed
77 208 Delfgaauw L  ed  77 208 Delfgaauw L ed
77/ 208 Delfgaauw, L. (ed.). Stadscollectie Den Haag. The Hague, Stadscollectie Den Haag, 1996, 8 artists' booklets, each w. num. col. ills., published in 250 signed and numb. copies, orig. unif. cordbound wr., together in orig. velours slipcase.

= With contributions by Elsa Hartjesveld, Marcel Zalme, Aline Thomassen, Tanja Smit, Christie van der Haak, Marcel van Eeden, Hans Könings and Michel Hoogervorst.

AND 1 similar publication: Signaturen (Gent, 1981, comprises i.a. 2 sm. booklets on J. BEUYS, all loosely inserted in orig. board box w. lid, 26x17x3 cm.).

€ (50-70)
77 209 Delprat H 77 209 Delprat H
77 209 Delprat H 77 209 Delprat H
77/ 209 Delprat, H. Anima Sola. Basel, Galerie G. Linder, 1991, no pagination, richly illustrated, orig. wr., sm. 4to. - WITH: an AUTOGRAPH POSTCARD SIGNED by galerie owner "Gisele", asking a colleague: "Is it possible that Picaron send about the pieces to Hélène Delprat. She never heard anymore from Picaron and never received our piece".
€ (80-100)
77 210 Delprat H 77 210 Delprat H
77/ 210 Delprat, H. Les Cahiers d'Arte. No.4. Paris, Maeght, 1990, 39,(1)p., num. ills., lvs. loose in orig. stiff. wr., printed in 820 numb. and SIGNED copies (50), loose in paper pocket, 5 lithographs by H. DELPRAT loosely inserted in juxtaposed pocket, each 35x26 cm. (or vice versa), monogrammed and "10" in pencil, all in orig. cl. portfolio, 4to.
€ (150-250)
77 211 Doesburg Th van 77 211 Doesburg Th van
77/ 211 Doesburg, Th. van. De Stijl - Le Style - Der Stil - The Stile. Le seul organe d'une nouvelle conscience plastique et poétique fondé en 1917 en Hollande. Original address wrap-around band, (1926), 15,7x36,9 cm., printed in black and red on recto only, typography by THEO VAN DOESBURG.

= Hoek 659b3; Purvis/ De Jong p.79.

€ (200-300) 240
77 212 Doesburg Th van ed  77 212 Doesburg Th van ed
77/ 212 Doesburg, Th. van (ed.). De Stijl. Maandblad voor nieuwe kunst, wetenschap en kultuur. Year 7, no.73/74, 75/76, 77 and 78; year 8, no.85/86, 87/88/89 and "dernier numéro". Leyden, De Stijl, 1926-1932, 12 issues (7 parts) in 1 vol., num. ills., contemp. hcl. w. the orig. frontwr. of the "dernier numéro" mounted on frontcover, obl. 4to.

- Lacks the memorial issue "10 jaren Stijl 1917-1927" (no.79-84); all parts without the orig. wrappers. Some sl. occas thumbing; partly w. vague vertical middle fold (as usual); owner's entry on first free endpaper. Endpapers partly browned; binding sl. browned, sl. soiled and rubbed; spine-ends splitting on hinges.

= Volume containing an almost complete set of the final 2 years of De Stijl, including the special issue "consacré à l'Aubette, Strasbourg" (no.87/88/89) and the final issue in memory of Theo van Doesburg. Hoek 659d and p.759ff; Schwarz 149; Bolliger III, 222 and VI, 817.

€ (500-700) 500
77 213 Döhl R 77 213 Döhl R
77 213 Döhl R 77 213 Döhl R
77/ 213 Döhl, R. Be de pe qu. Stuttg., Hansjörg Mayer, 1967, (38)p. w. typographical compositions printed in blue and pink by REINHARD DÖHL, printed in 200 numb. and signed copies, bound as a blockbook, orig. spiral binding w. fluorescent pink wr., square sm. folio.

- Wrappers and fore-edge sl. (dust)soiled; frontwr. sm. tear in upper margin and sm. rubbed spot.

= The typographical compositions are all made with the same Futura letterform rotated and mirrored to create the four characters in b, d, p, and q. One of three books published by Edition Hansjörg Mayer in this size and format.

€ (200-300) 200
77 214 Drawings  Holme C  ed  77 214 Drawings Holme C ed
77/ 214 [Drawings]. Holme, C. (ed.). Modern Pen Drawings. Ed. C. Holme. London, The Studio, 1901, (1),216p., num. plates and ills.

- From the library of Henri de Brauw, with his bookplate and owner's entry on both endpapers and owner's stamp on title-p. First free endpaper loose; occas. trifle foxed.

= DELUXE edition printed in 300 numb. copies and bound in fine giltlettered blindst. vellum w. ties (lacks 3 ties), t.e.g.

€ (70-90)