5266 - 5589 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
77 5506 Rops F 1833 1898 
= Mascha 706; Exteens 404; Ramiro 183.
77 5507 Rubens P P 1577 1640 after 
77 5507 Rubens P P 1577 1640 after 
- Sl. foxed; a few prints w. some closed tears/ dam. spots.
= Comprises the plates number 7, 9, 13, 15, 27, 29, 34 and 39.
77 5508 Ruischer J ±1625 after 1675 
- Tipped onto a mount; two strengthened spots (only visible on verso). Fine copy.
= Hollstein (Ruischer) 16 and Hollstein (Waterloo) 91, 3rd state (of 3), reworked by Waterloo in etching and drypoint (2nd state) and with additional rework, published by Basan. Of the first state by Johannes Ruischer only 2 impressions are known. Part of a panorama of Rhenen.
77 5509 Sadeler I J 1550 1600 
77 5509 Sadeler I J 1550 1600 
- Fine impressions. = New Hollstein 439 and 448.
77 5510 Sadeler I J 1550 ±1600 
- Lacks the title-page and the binding. All prints with old middle-fold; some sl. soiling/ smaill defects in blank margins. First plate w. old annots. in pen and ink in lower blank margin.
= Hollstein 10-16, only state. SEE ILLUSTRATION PLATE CV.
77 5511 Sadeler I J 1550 1600 
- Contemp. annot. "roi" in upper blank margin above the image; sl. foxed; vague oblique folds in upper right corner.
= Hollstein 198.
77 5512 Sadeler I J and R ±1550 ±1600 and 1560 ±1630 
- Paper brittle w. (tears on) old middle-folds (especially winter and summer); some soiling.
= Hollstein Johannes Sadeler I 507-508 (Summer and Winter) and Hollstein Raphael Sadeler I 178-179 (Spring and Autumn), only state. SEE ILLUSTRATION PLATE CVI.
77 5513 Sadeler I R 1560 1628 or 1632 
- Fine impression. = New Hollstein 150.
77 5514 Sadeler A ±1570 1629 
- Doubled; partly cut on the borderline; lacks 2 tiny portions of image near edges; a few tiny closed marginal tears.
= New Hollstein 216. With an unidentified collector's mark on verso (Lugt 4073).
77 5515 Sadeler A ±1570 1629 
77 5515 Sadeler A ±1570 1629 
77 5515 Sadeler A ±1570 1629 
77 5515 Sadeler A ±1570 1629 
77 5515 Sadeler A ±1570 1629 
77 5515 Sadeler A ±1570 1629 
77 5515 Sadeler A ±1570 1629 
- Lacks plate 5. Plate 8 w. tear in upper margin (just affecting the image). All w. small manuscript number in lower left corner below the image. Vaguely foxed.
= Hollstein 63ff. SEE ILLUSTRATION PLATE CIV.
77 5516 Sadeler A ±1570 1629 after 
77 5516 Sadeler A ±1570 1629 after 
77 5516 Sadeler A ±1570 1629 after 
- Occas. trifle foxed in blank margins. Covers worn and loose(ning); backstrip partly worn off.
= Hollstein 151-201; Kistner 408; Rossetti 9035. The second edition, re-engraved by J. de Rossi.
- Under passepartout; sll agetoned; Hearing and Taste w. brown stains/ unevenly browned.
= Hollstein 101-106. All with the collector's mark of Friedrich August II of Saxony (Lugt 971) on recto.
77 5518 Saenredam J 1565 1607 
- Fine impression and state. Cut on/ just outside the borderline. The six line Latin text by T. Schrevelius below cut off; collector's entry in ballpoint on verso.
= New Hollstein 22, the 1st state (of 2).
- Yellowed; broad margins extended w. paper tape. Otherwise fine.
= Hollstein 10, only state. Rare, archetypal print.
77 5520 Saint Aubin Ch G de 1721 1786 
- Cut inside the borderline. = SEE ILLUSTRATION PLATE CVI.
77 5521 Sandrart J J 1606 1688 after 
77 5521 Sandrart J J 1606 1688 after 
- Top of spine sl. dam. Fine copy. = SEE ILLUSTRATION PLATE CVII.
77 5522 Sangster A W 1833 1904 
- Tipped onto mount; yellowed.
= In 1892 members of The Buffalo Club bought a painting by Sangster which was presented to the club. As a premium or a token of appreciation, Sangster created this etching after the painting and gave everybody who contributed an inscribed copy. Sangster was a Canadian artist who mostly painted in the surroundings of Buffalo (New York state) and the Niagara frontier.
77 5523 Savery S 1594 1678 
77 5523 Savery S 1594 1678 
- Not examined outside frame, but apparently a fine copy.
= Very rare print, only one copy found in reverse in the holdings of the Philadelphia Museum of Art. SEE ILLUSTRATION PLATE CVII.
77 5524 Schäufelein H L 1485 1540 
77 5524 Schäufelein H L 1485 1540 
= Probably 19th cent. impressions, both with the collector's marks of Fürst zu Fürstenberg (Lugt 2811) on verso.
AND 10 other prints by the same, all but one woodcuts, all 16th cent., bookillustrations, depicting mainly (sea)battles (2x badly dam.).
77 5525 Schenck P 1660 1713 
77 5525 Schenck P 1660 1713 
77 5525 Schenck P 1660 1713 
77 5525 Schenck P 1660 1713 
77 5525 Schenck P 1660 1713 
- Sm. stain near head of cherub; wormhole in lower blank margin.
Idem. "Donna Olympia, Cortegiana bella di Roma jacet, placidamque capit secura quietem". Mezzotint, w. engr caption below image, 24,6x18,3 cm., Amst., P. Schenck.
- Inkstain on verso sl. visible in upper blank corner.
AND 13 other mezzotints, incl. a few worn/ dam. copies, i.a. J.J. HAID, Étude de la Sculpture/ Étude de la musique (two mezzotints from the series of ?, numb. "2" and "4" in lower right corner below image. Second print foxed in blank margins) and ANONYMOUS, "A Pouder Plot" (titled below image, 27x19,4 cm. Laid down on paper mount).