5266 - 5589 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
77 5546 Surugue de Surgis L 1686 1762 a o 
77 5546 Surugue de Surgis L 1686 1762 a o 
77 5546 Surugue de Surgis L 1686 1762 a o 
77 5546 Surugue de Surgis L 1686 1762 a o 
- Pinholes in corners; trifle yellowed.
77 5547 Swanenburgh W van ±1581 1612 
77 5547 Swanenburgh W van ±1581 1612 
77 5547 Swanenburgh W van ±1581 1612 
77 5547 Swanenburgh W van ±1581 1612 
- A few sm. stains; cut on/ within the platemark. = Hollstein 55.
AND 3 others by the same from the same series: Judgement of Solomon (plate II. Corners dam., lacks portion of upper and lower left corner; Hollstein 51); Beheading of the Roman Judge Papinian (plate V. Edges sl. creased; Hollstein 54) and Allegory of Justice (plate XI, Hollstein 60).
77 5548 Swanevelt H van ±1600 1655 
- Ample margins; tiny closed tears in margins; vague brown spot in centre near upper edge.
= On 17th century laid paper with watermark "Catinaud". Hollstein 5, 4th state of 8. With a curious stamp of "Hotel Victoria Coblenz am Rhein" on verso (collector's mark?).
77 5549 Swanevelt H van ±1600 1655 
- Cut to the platemark. = Hollstein 91, 2nd state of 4.
77 5550 Swanevelt H van ±1600 1655 
- Sl. grey impression. = Hollstein 87, 3rd state (of 4).
Idem. House on a rock. Etching from a series of 12 Landscapes, 17,3x27,3 cm., w. engr. address of Mondhare below image.
- Ample margins; sl. foxed.
= Hollstein 98, 4th state (of 5). With partial collector's mark "No.", unidentified.
Idem. The Mountain. Etching, 31x24 cm.
- Fingersoiled and creased in corners; vague stain near upper right corner.
= Hollstein 100, 5th state (of 5), the address of Bonnard erased (vaguely still visible). From the series of 4 vertical Landscapes.
Idem. A group of trees. Etching, 31x24 cm., w. the address of Vanheck, Paris.
- Sl. fingersoiled; two sm. stains; a few sm. creases.
= On velin paper, which is not unusual for Vanheck. Hollstein 102, 4th state (of 4).
77 5551 Swanevelt H van ±1600 1655 
- Sl. fingersoiled along edges. = Hollstein 23, 3rd state of 3.
Idem. The Two Horsemen. Etching, 17,2x27,8 cm., "Herman van Swanevelt in. fe" in the plate.
- Cut on/ to the borderline; good 18th cent. impression. = Hollstein 105, 4th state of 4.
77 5552 Tempesta A 1555 1630 
77 5552 Tempesta A 1555 1630 
77 5552 Tempesta A 1555 1630 
- Browned; 2x w. (closed) tear; mostly w. blank margins tipped onto mount; 3x w. tiny white spots of paint(?).
= Bartsch XVII, 828-839.
AND 1 similar by the same.
77 5553 Teniers II D 1610 1690 after 
- Broad blank margins sl. fingersoiled; pinholes in corners (one corner chipped).
= Cf. Wine and the artist 72, listing the same engraving in reverse under the title "The Flemish wine drinker".
77 5554 Testa P 1611 1650 
77 5554 Testa P 1611 1650 
- Sl. grey impression w. small margins. Some vague creases; small waterstain affecting image.
= Bartsch XI, p.130 (no.1).
AND 1 other etching by the same: Saint Jerome (vaguely waterst. and neatly doubled w. thin Japanese. Bartsch 15).
77 5555 Theatre Toneeldecors van de Amsterdamse Schouwburg 
77 5555 Theatre Toneeldecors van de Amsterdamse Schouwburg 
77 5555 Theatre Toneeldecors van de Amsterdamse Schouwburg 
- Blank margins occas. sl. (finger)soiled and/ or stained and occas. sl. frayed.
= Scenes titled "Het winter-bosch", "De abdy-kerk", "Het bosch", "De moderne zaal", "De hedendaagsche burgerkamer", "De kerker", "De tuin", "De legertenten", "De Romeinsche hofzaal" and "De Italiaansche straat".
77 5556 Theatre Lot of 5 stage scenes and a proscenium 
77 5556 Theatre Lot of 5 stage scenes and a proscenium 
77 5556 Theatre Lot of 5 stage scenes and a proscenium 
= Nice series of stage scenes from the series of 12 published by J. SMIT, (Toneeldecors van de Amsterdamsche schouwburg), each showing a different type of room: a church hall, an 18th cent. sitting room, a Roman hall, an 18th cent. reception room and a dungeon. Probably produced between 1740 and 1780.
AND 11 others similar, incl. 5 from the same series as the above: "De Italiaansche Straat", "De Kerker", "De Tuin" (2 copies, one mounted in the proscenium) and "Het Bosch") (2x vaguely coloured).
77 5557 Uyttenbroeck M van 1595 1646 
= New Hollstein 43, 2nd state of 2. One of a series of 3, The theft of Apollo's cattle (Metamorphoses by Ovid). With the collector's mark of Artaria & Co. (Lugt 91), J.P.M. Cerroni (Lugt 1432) and K.E. von Liphart (Lugt 1687) on verso. SEE ILLUSTRATION PLATE CVIII.
77 5558 Uyttenbroeck M van 1595 1646 
= Hollstein 54, 3rd and final state: with the signature erased.
77 5559 Uyttenbroeck M van 1595 1646 
- Cut just outside the platemark.
= Hollstein 15, 2nd state of 3. One of a series of 4, The story of Tobias. With a signature of an unidentified collector on verso.
77 5560 Uyttenbroeck M van 1595 1646 
- Cut on/ just outside the borderline.
= New Hollstein 17, 4th state of 5. One of a series of 4, The story of Tobias. With a signature of an unidentified collector on verso.
77 5561 Velde II J van de 1593 1641 
- On thick paper; lower margin trimmed to the platemark; spots in lower left corner.
= From a series of 4 prints showing Wayfaring musicians. Hollstein 135.
77 5562 Velde A van de 1636 1672 
- Sl. weak impression; tipped onto mount along left margin. = Hollstein 2, probably 2nd state (of 2).
77 5563 Velde E van de 1587 1630 
- Cut on/ just outside the platemark; trifle yellowed. = New Hollstein 36, the 6th and final state.
77 5564 Vernet A C H 1758 1836 
- Trifle duststained in margins.
AND 4 others similar by the same: "L'Education", "Le Savetier", "Le Cocu battu et content" and "Les deux Taureaux et la Grenouille".
= Early lithographs. All from LA FONTAINE, Fables choisies (1818)
77 5565 Vernet E J H 1789 1863 
77 5565 Vernet E J H 1789 1863 
- Trife foxed; some closed tears.
Levachez, C.F.G. (act. 1760-1820). (Officer on horseback). Mezzotint, 25,5x35 cm.
- Foxed and sl. creased spots; some sm. holes and weak spots.
AND 7 miscell. others, i.a. by L. NOËL after D. LECAMUS, A. LEGRAND after MONNET and J.E. HAID after L.-J. GREUSE.